I found that whether in a movie or novel with many plots, you must not cheat the audience or reader. What I mean is that if you have build the anticipation that the character will die for example, he must not simply come back to life too many times in a movie! Otherwise, the story goes all weird and loses the audience's attention.
This is one example of movie that I find is all weird but yet it did very well in terms of box office collections. This is the synopsis:
Set in picturesque cities of Durban and Cape Town, ‘Race’ tells the story of two brothers – Ranvir Singh ( Saif Ali Khan ) and Rajeev Singh ( Akshaye Khanna ).
Ranvir, the eldest of the two, is a shrewd businessman who owns a ranch named Stallions where horses are bred for races. He is a fierce competitor and he doesn’t forgive anyone who double-crosses him.
Rajeev, on the other hand, is more interested in alcohol than family business. He likes to wake up to a glass of beer every morning to recover from the hangover of previous night’s drinks.
Sonia ( Bipasha Basu ), a fashion model, walks into Ranvir’s life and wins over his heart. On the other hand is Sophia ( Katrina Kaif ), Ranvir’s gorgeous secretary who is always vying to get his attention, but without any success.
The ball is set rolling when Rajeev falls for Sonia and promises his brother that he would quit drinking if she agrees to marry him. Ranvir, like any true-blue big brother, sacrifices his love and becomes a matchmaker between the two.
But beneath the surface, evil plans are taking shape in the minds of the protagonists. One of the two brothers will die. And the other will inherit the huge insurance claim of 100 million.
The murder takes place. Enters detective RD or Robert D’Costa ( Anil Kapoor ) and his pretty and dumb secretary Mini ( Sameera Reddy ) who try to crack the case and get to the bottom of the mystery.
‘Race’ has a riveting first half, when the characters are introduced and their murky sides revealed. The plot in this half leaves many open ends, to be connected and explained when the mystery is finally unraveled in the end. The movie reaches its high point when one of the brothers is pushed from the terrace of a high-rise building.
This momentum continues for some more reels in the second half. But then the film’s plot takes a serpentine route and passes through many unexpected bends, some of which are reasonable while some are deliberately contrived to surprise the viewer.
That is when Abbas-Mustan, the men in white, show their true ‘colours’. The director duo doesn’t care to be subtle. They pull out all the stops to squeeze in as many twists in the plot even when there wasn’t any need. As the plot meanders through its many turns, it begins to lose its credibility. And you resign yourself to the fact that anything could happen. Even the dead can resurrect.
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